Hail to Black Metal in Marta Skaði’s Confessions of an Antichrist
Commune With a God in Daryl Gregory’s Revelator
Jennifer Thorne’s Diavola Casts a Chill on the Tuscan Countryside
A Perspective Shift for Joel H. Morris’s All Our Yesterdays
Blood is Key in Marina Yuszczuk’s Thirst
Saying Goodbye in The Angel of Indian Lake by Stephen Graham Jones
Break Down the Walls of a Subgenre with Gwendolyn Kiste’s The Haunting of Velkwood
Light the Spark in Elizabeth May’s To Cage a God
Bleed on the Page with S.T. Gibson’s An Education in Malice