Front Line Defenders (FLD) launches a new monthly digital magazine, Cypher, with the first edition on 23 July 2020. This project advances the organization’s storytelling and narrative framing work in collaboration with and in support of human rights defenders (HRDs).
FLD has partnered artists from around the world (including visual storyteller, Beldan Sezen, as creative director) and plans for Cypher to be a monthly publication featuring 3 or 4 stories of HRDs, their work, and the challenges they face. Each month, Front Line Defenders will collaborate with comics artists from around the world, pairing them with HRDs to develop stories that portray their work and the challenges, risks, and threats they face.
The lineup for the first edition of Cypher includes the following:
Pakistan (artist: anonymous for security reasons) – the story of the abduction-enforced disappearance of Pakistani HRD Idris Khattak, as told from the perspective of his daughter.
Lebanon (artist: Pascale Ghazaly) – with COVID-19 hitting, ongoing street protests against political and economic corruption and the collapse of the economy, Ethiopian domestic workers found themselves kicked out and abandoned, as even the embassy refused to help; a collective of domestic workers organized critical support.
Brazil (artist: Lyvia Emanuelly) – transvesti HRD Rosa Luz is a social media and YouTube influencer and rap/hip hop musician; when she used her art to criticize political leaders, she faced intense backlash in the media and from politicians, including death threats, only returning to her public role after a hiatus to ensure her security.
As part of its visibility work, FLD works to develop new means of presenting the work and lives of HRDs and deliver those stories to new audiences, beyond the human rights community that already works to support HRDs. Comics offer unique, creative, and different ways of engaging audiences than videos, reports or infographics, and can be disseminated across digital platforms that can reach audiences that otherwise might not pay attention to more traditional forms of reporting.
And by working with artists to put their talents in the service of human rights, FLD is enabling partnerships between the artists and the HRDs that can extend beyond the magazine and bring those stories to new communities to which the artists have access.
FLD comes to this project following a four-year process of developing, producing, and disseminating the critically-acclaimed nonfiction graphic novel, La Lucha: The Story of Lucha Castro and Human Rights in Mexico. That book, published in English, Spanish and Italian, presented the work and lives of women human rights defenders in northern Mexico. Following the publication in Spanish, Front Line Defenders worked with educators and human rights defenders in Chihuahua state in Mexico to develop a curriculum to use the book in schools in the state.
Since 2017, the book has been used by thousands of secondary school students and initial work is underway to develop the project to the national level. This book, and its reception, demonstrated to Front Line Defenders – and to HRDs – how this form of powerful storytelling can be effective and impactful, including reaching audiences (i.e. students) that HRDs rarely have the ability to engage.
Front Line Defenders is excited to bring the stories of HRDs to new audiences in Cypher and it is a true credit to the immensely talented artists who are working with us to bring them forward. It is to the HRDs and their faith in this work and trust in FLD that we owe the biggest debt, as we try to use this platform for their voices, perspectives, and experiences.