Only two of the books in this series list both David and Leigh Eddings as co-authors. It’s fitting that they are Belgarath the Sorcerer and Polgara the Sorceress. This duology shows the way that POV shapes history and politics. The 1997 Polgara the Sorceress wraps up the entire series. It showcases the moments Belgarath wasn’t there for and the hidden moments where he was. This book is a fitting conclusion to their longest collaboration, and to their own hidden metaphor.
Spoilers for all of Polgara the Sorceress and the Eddings’s previous works.
So, What Happened?
Birth to Beldaran’s Death
Polgara starts with Ce’Nedra and Garion’s arrival at Polgara and Durnik’s farm. Ce’Nedra asks Polgara to tell her side of the story, and Polgara refuses. Ce’Nedra manages to manipulate Poledra into thinking it’s for Geran and the future to know ‘the truth’. Poledra then manages to convince Polgara that it’s a worthwhile task.
Polgara’s biography starts before Poledra gives birth. Poledra and Aldur shape Pol and Beldaran’s brains to better suit them for their tasks. Then, it details Pol’s grudge against Belgarath, and her adoration of Beldaran. When Belgarath arranges Riva and Beldaran’s wedding, Polgara protests and goes to live in the Tree for a time. They arrive at Riva, Polgara ‘pretties up’, and starts playing adolescent games with young courtiers.
After Beldaran’s wedding, Poledra and Belgarath educate Polgara in magic separately. When they return to Riva for Beldaran’s son’s birth, she also learns about medicine. After Daran’s birth Polgara and Beldaran go visit the Mrin and Darine prophets. Eventually, Poledra summons Polgara to Riva, because Beldaran was dying. Polgara can’t save her because the priest of Belar sabotaged any attempt to give Beldaran medicine. He’s a member of the Bear Cult. Belgarath puts Polgara and Daran in charge and leaves. Polgara and Daran accuse the priest of witchcraft and eventually exile the members of the cult. Eventually, she returns to the Vale of Aldur, and studies the prophecies for several centuries.
Arendia to Vo Mimbre
Poledra summons Polgara to Arendia, and tells her that Ctuchik was planning something. Polgara proceeds to stop three Murgo plots. She tells the Duke of Waconia that his advisor is a Grolim. The Duke of Asturia proves incompetent, and she initiates a rebellion against them. She then collaborates with one of Mandorallan’s ancestor’s. They prove to the Duke of Mimbre that the supposed ‘Tolnedran Legion’ on his banks is a fake.
She remains in Arendia for the next several decades. Polgara rescues the son of the Wacite Duke from the nephew of the first Asturian Duke. The three Dukes then give her the Duchy of Erat, which then becomes Sendaria. Polgara spends a great deal of time guiding Sendaria into competency. A tournament to name the Duchess of Erat’s champion leads her to Ontrose. Ontrose is the only man Polgara loves before Durnik. He’s the quintessential knight: intelligent, sensitive, powerful, and handsome. Eventually, Ontrose’s friend betrays Erat and Wacune to the Asturians, and they destroy Vo Wacune.
Belgarath drags her back to the Vale to keep her from fighting. However, she works through factors to protect Erat, the survivors of Waconia. For the next several centuries she protects Erat, as it becomes Sendaria, bartering with Tolnedran Emperors and Alorn Kings to keep it free.
This persists until the death of Gorek, whereupon she takes charge of protecting Geran and the line of the Rivan King. She apprentices various heirs to artisans, and then eventually buys out the shop of their childless teacher. They occasionally flee from Murgos and move around Sendaria and Aloria. Then comes the Battle of Vo Mimbre, which progresses as Belgarath described it. Poledra and Polgara spy upon Torak and Zedar in the form of an owl. Poledra helps Polgara defy him when Torak confronts Brand.
Gelane to Garion
From Vo Mimre, Polgara resumes her task of protecting the Rivan heirs. Gelane, the heir during Vo Mimbre, proves slightly troublesome. He knows who he is, and Chamdar, or Asharak the Murgo, finds him, and controls him. Belgarath and Polgara break this control and move the family away from Sendaria.
Things continue peaceably from there, with Polgara making a side trip to Nyissa at one point. She meets a former Salmissra, and prevents Chamdar and Ctuchik from manipulating her into causing problems. After educating and befriending ‘Sally’, Polgara returns and moves the Line to Annath, where Garion will be born. There’s a short trip to Nadrak, where she meets Yarblek and Drosta, when Poledra realizes that they’ll be significant.
Geran and Ildera, Garion’s parents, meet and get married in the usual fashion. Then tragedy strikes. Darrel, Geran’s father, is killed in a rockslide. His wife forgets that he’s dead, her mental health deteriorates, and Polgara and Ildera care for her. They later discover that Asharak engineered both events, as well as Alara’s madness. Alara wanders off on Erastide, and Polgara goes to find her. Ildera gives birth, and Asharak kills Geran and Ildera. Only Belgarath’s timely arrival prevents him from stealing Garion. Polgara heads to Faldor’s farm and establishes herself there.
The epilogue shows the life of Geran, Garion’s son, one winter in Riva. He plays with his baby sister, and Ce’Nedra reads to him from Polgara’s book. Ce’Nedra then fully realizes the impact that magic had on her life as she puts her son to bed.
Women vs. Women
One of the persistent problems in Polgara the Sorceress is how women are pitted against each other. Their relationships prove adversarial, except for sisters, mothers, or mentors.
Even then, Polgara spends a good portion of her childhood trying to be ugly. She never combs her hair, bathes, or changes clothes unless forced. Polgara rationalizes it by saying, “Beldaran and I were twins, and we should have been identical. The master changed that, however.” (p. 28). Polgara compares herself to Beldaran and finds herself wanting. Only when Beldaran and Riva fall in love does Polgara clean herself up. She looks at Beldaran when she enters and thinks, “I’d rather hoped to see just a twinge of envy there.” (p. 59) Beldaran remains nonplussed, to Polgara’s mild disappointment.
The precedent of comparing women to other women based on looks and pitting them against each other continues. At Riva, Polgara joins the other young courtiers and sets about breaking hearts. She captures the attention of all the young men based on her looks. Polgara remarks that, “quite a few of the ladies pled headaches and quietly left the room. It might have been my imagination, but after they left I seemed to hear a gnawing sound — a sound that was remarkably like the sound of someone eating her own liver.” (p. 70). She enjoys the pain she causes other women because of her conquests.
The competition between women continues even between Olane and Alara, Geran and Ildara’s mothers. The wedding planning devolves into one-upmanship between the two. Women can compete against each other, yes, and they frequently do. The fact that only the sparse mentoring and familial relationships remain free of competition makes this problematic.
Men vs. Women
Another thread in this book shows how men try to force women to submit. Polgara rebels against this, of course, and tries to help other women, but it proves slightly outdated in this respect. At Beldaran’s wedding Polgara notices something. “I idly noticed in passing that all the rights fell to the groom, and the duties and obligations were the bride’s domain.” (p. 85). This thread of spousal submission continues in the book’s discussion of spousal abuse.
After Beldaran’s death, Polgara helps Daran try a case where the husband abused his wife. The families quarreled over some land. Daran dissolves the marriage and then punishes the husband further by whipping him in court. When Polgara leads Erat, she establishes laws that harshly punish spousal abuse.
“A man who’s stupid enough to beat his wife isn’t likely to listen to reason, so I instructed the constable of each village to ‘persuade’ wife beaters to find another hobby. I did urge the constables not to break too many bones in the process however.” (p. 358).
While abusers seldom listen to reason, removing the victim from the range of the abuser would be better. Polgara created schools, hospitals, and an informal lady’s academy. She could easily create a system to remove the victims from their abuser’s reach rather than leave them at the continued mercy of their husband.
Men vs. Polgara
Polgara just notes these events in passing. She dwells more on the instances where men attempt to personally control her. Lathan, the man who betrays Erat and Wacune to Asturia, committed treason because he couldn’t possess Polgara. He hoped to beat Ontrose and be her champion. As Polgara says, “Arendish literature positively swarms with improprieties involving highborn ladies and their bodyguards, and Lathan seemed to be well read.” (p. 362). His loss to Ontrose led him to betray Wacune and Erat.
Torak also desires to control Polgara. When Poledra and Polgara spied on Torak and Zedar before the battle, they learned of Torak’s plans.
“She is not fond of me, but, truly, I shall much enjoy bending her to my will. She will obey me—nay, even worship me. … My brothers have cast me out, so now must I father a new race of Gods to assist me in my domination of the world. Who of all the women of this world is fit to share my throne—and my bed?’ ‘Polgara?’ Zedar asked incredulously. … “I will have Polgara to wife, and will she, nil she, Polgara will be mine.” (p. 563).
Torak wants to possess both the Orb of Aldur and Polgara. The Eddings’s frame the two in the same light. Torak with the Orb would control the Purpose of the Universe. With Polgara, he would further disrupt that purpose.
The Eddings’s use of gender politics showcases the biases when they wrote. They recognize the evil in spousal abuse and the submission Torak wants. But they don’t understand, or properly convey, the strength that women can give each other. It’s to their credit that they address these issues, and I strongly suspect Leigh’s hand in it. But time has outstripped their understanding in the past 21 years.
Politics, Economics, and Our Metaphor
We discover Polgara’s enjoyment of politics in Polgara the Sorceress. She attended the first meeting of the Alorn Council and established the Arendish one. Both of these events occur because of pressure by the Murgos and Grolims. The arrival of the Murgos, Nadraks, and Thulls on the Western Continent precipitated the Alorn Council. Polgara’s foiling Ctuchik’s plots in Arendia led to the second.
The Alorn Council grows into a pseudo-United Nations, and it began with the intent of preventing Angarak influence in the West. The parallels between the Cold War barely need to be drawn. It reads as the Red Scare all over again, except with less cause. With the Arendish Council, it’s more along the lines of the Middle Eastern Cold War-era conflicts. The guerilla warfare fits Arendia better than the political machinations in the United Nations. Also because the Arendish Council dissolved after Haldon’s betrayal.
Another aspect of politics in Polgara the Sorceress lies in duty. After Gelane’s seduction by Asharak, Polgara gave him a lecture. “There are two sides to nobility, Gelane. Most people only see the fine houses, the fancy clothes, and all the bowing and scraping by lesser nobles. The other side’s more important, though, and much simpler. Duty, Gelane, duty.” (p. 631-2). Polgara teaches Gelane that lesson because it proves the most important one to the Cold War. The politicians refocused on preventing nuclear war and considered that more important than everything else. Polgara’s treatise on duty to Gelane keeps him and his family safe, and it leads to Garion and the end of the cycles.
Polgara the Sorceress also showcases the only example of unrestrained capitalism in the entire series. We saw it through metaphor. But now, in her stewardship of the Rivan line and her shepherding Sendaria, we see it firsthand. She lectures Ontrose, and he repeats her lesson, economics 101, back to her.
“For certes now can [the emancipated serfs] purchase such goods as previously were beyond them quite. The merchant class prospers, and their share of the tax burden doth lighten the load borne by the landowners, thy vassals. The prosperity of the former serf is the base upon which the economy of the entire kingdom doth stand.” (p. 364)
Polgara spends centuries hammering that principle into the heads of her vassals. That shapes the national character of Sendaria and ensures it’s prosperity. Despite the archaic speech, it speaks truth in linking the economy on the spending of the masses, rather than the hoards of the wealthy. The fact that Polgara’s economics leads to a healthy Sendaria, the most sensible country, furthers the metaphor.
In addition, Polgara threatens to create a mall to some vulture-like merchants after the death of a Rivan heir. “Then, when the new widow is virtually out of her mind with grief, they make ridiculously low offers for the family business. … I told them quite casually … I was seriously thinking about expanding the business. … They wouldn’t have to spend whole days wandering around town to buy what they needed. … [they] bought me out at about three times what the smithy was worth.” (p. 520). In doing this, the Eddings’s take what’s normal to their audiences, a mall. Then, they insert it into their fantasy world, and in doing so, normalize the conditions and systems that create such things.
At the very end of Polgara the Sorceress, we discover that Geran dreams about Zandramas and remains terrified of her. It shows the very slow steps out of institutionalized fear of the enemy. Geran thinks, “if he refused to think about them, they’d go away entirely.” (p. 745). All of this plays into the final metaphor, because now the cycles are over. They just need to ignore the nightmares, and it’ll all go away.
The end of Polgara’s story undercuts that, however. Her history ends with Belgarath, Garion, and herself at Faldor’s farm, hiding from Asharak. The Eddings’s later pointed out that Polgara completed a literary cycle. You can go straight from Polgara to Pawn of Prophecy. This proves especially ironic because their entire metaphor counted on the breaking of cycles.
The entirety of this book, and this series relates in so many ways to its cultural context. No one could not write this now, because the events that underlie the plot and philosophy of the book. Despite the undercutting via the literary cycle, the metaphorical one is complete.